Gharana is very important term in the world of Indian classical music. Gharanas refer to the genealogical lines through which musical traditions are passed along the generations. The names given to particular gharanas are often derived from the region or city in which they were developed. The six gharanas of tabla are: Delhi, Ajrada, Lucknow, Benares, Farukhabad, and Punjab. Specific composition, methods of presentation, technical and practical elements and musical influences are a few factors which differentiate each gharana from the other. Traditionally, tabla artists are bound to the gharana of their guru, and the gharana teachings are passed on successively from guru to disciple. The guru is careful as to whom to bestow his musical knowledge, selecting only those disciples who will carry on the name of the gharana. He is burdened with the implied task of ensuring that the notability and distinction of the gharana is passed on to those who will faithfully preserve and prolong it.

Riyaz, or practice, is an integral part of a tabla players life. The Indian classical musician treats his practice as a time of personal reflection and meditation. With eyes closed and mind free, with healthy body and healthy spirit, he delves into his practice deeply with involvement, for it is only through whole-hearted practice that his art will flourish and develop. The classical artist has been known to sacrifice common pleasures in order to become a recluse, only committed to his practice, his art, and his guru.